• The third outing for a herd of toys that should have stayed in their boxes.
  • The original Transformers wasn't a great movie, but at least it started out as fun, with Shia LaBeouf as a high-school student who discovers that his new yellow Camaro is actually an Autobot sent to earth to ward off evil Decepticons from their..
  • Despite its manifest improvements, there is something so sour and unpleasant about the new film that it left me almost nostalgic for the innocent idiocies of its predecessor.
  • At 157 minutes, 'Transformers: Dark of the Moon' isn't just a movie. It's a sentence.
  • For good or ill, Bay is the soul of a new machine, the poet of post-human cinema, the CEO of Hollywood's military-entertainment complex.
  • Marveling at its grotesque gigantism doesn't make this two-and-a-half-hour-long movie any less dull.
  • If you're going to make a movie in which some of your stars are animated toys and much of downtown Chicago is reduced to rubble, this is the way to do it: shamelessly, with no expense spared and no cliche avoided.
  • One can argue that summer is built for spectacle. Now if only it could be truly spectacular, too.
  • It's a lousy movie, but at least it's a lousy movie with a serviceable story, killer CGI and an action climax that goes on forever (at least an hour).
  • Watching Transformers: Dark of the Moon makes you die a little inside. Is this the future of movies? God help us! Michael Bay, you've done it again.
  • OK, I'll admit it -- this is hard -- the big silly thing is sort of great.
  • Christian Science Monitor

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    Fine actors like John Turturro and John Malkovich are encouraged to strip-mine the scenery. Frances McDormand, playing a government bigwig, can now rest content knowing she has given the worst performance of her career. (Not her fault, either.)
  • A wearyingly overlong series of battles and explosions with the thinnest of connective tissue and an ADD-like disregard for follow-through.
  • I miraculously survived a preview screening with a throbbing headache and slight nausea; others may not be so lucky.
  • Between Bay's obsession to make his 3-D matter and the artistry of the special effects legions amassed for the project, the visual payoff is striking.
  • The more action sequences, locations, actors, historical events, machines, effects, monosyllables, weapons, and American-flag close-ups the movie shoves in its mouth and ours, the less we're able to taste.
  • Shot by shot, Transformers: Dark of the Moon, like all of Bay's work, has a meticulous commercial sheen that's distinctive and beautiful, but he never lingers on any one of them for long, and they rarely make sense in sequence.
  • It's a momentous achievement and it will make untold amounts of money and you should see it even though it's hateful and empty and preaches the worst kind of reactionary violence without even really meaning it.
  • The biggest casualties in this third installment of the robot franchise from director Michael Bay are storytelling and character development.
  • Bay provides his usual Bayisms: bloated close-ups, manly slo-mo, visual hyperbole and glamour shots of a hot babe standing amid the wreckage.
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