Buy Proxima Nova Regular desktop font from Mark Simonson Studio on Fonts.com. Download Proxima Nova free. Fonts must be best. Font, Grotesque font, Roman, Serif suited to your project, and it does not matter whether it is a printed poster. Font Family: Proxima Nova Regular Italic. Font Name: Proxima Nova Regular Italic. Creator: Music. File Name: epargne-banque.com File Size.
Medium
NikkiRodriguez
Extrabold
Mark Simonson
Proxima Nova is a trademark of Mark Simonson.
Copyright (c) Mark Simonson, 2005. All rights reserved.
Regular
Copyright c 1992 Southern Software, Inc. All Rights Reserved
ExtraBold
YouWorkForThem
Copyright 2002 YouWorkForThem. All Rights Reserved. http://www.youworkforthem.com. YWFT Administration Contact: info@youworkforthem.com
Regular
Created by Type-Designer 2.5
Normal
Copyright (c) 1992 Corel Corporation. All Rights Reserved.
Regular
1.000;PS 001.000;hotconv 1.0.70;makeotf.lib2.5.58329
Kosal Sen, Philatype
Copyright 2015 by Kosal Sen, Philatype. All rights reserved.
ExtraBold
Copyright Hans Reichel, 1996. Published by FontShop International FontFont release 17
Regular
N/A
Regular
2003 Morten Rostgaard Olsen, published by FontShop International for the FontFont library.
Bold
(c) 1992 Lazy Dog Foundry - St. Paul, MN
Regular
Luc as de Groot 1994
Regular
Generated in 2007 by FontLab Studio. Copyright info pending.
Regular
2001 [T 26] Chicago www.t26.com773.862.1201 T0796 ID# 5121441designer: / Device
ExtraBold
YouWorkForThem
Copyright 2002 YouWorkForThem. All Rights Reserved. http://www.youworkforthem.com. YWFT Administration Contact: info@youworkforthem.com
Regular
Dino dos Santos _ DSType
MonoxExtraBold is a trademark of Dino dos Santos _ DSType.
Copyright (c) Dino dos Santos _ DSType, 2000. All rights reserved.
Medium
Created by MyScriptFont.com
Regular
Superlooper 2001
ExtraBold
YouWorkForThem
Copyright 2002 YouWorkForThem. All Rights Reserved. http://www.youworkforthem.com. YWFT Administration Contact: info@youworkforthem.com
Regular
a_LCDNova *Arsenal Company 1996* FAX: (095)924-3775; e-Mail: arsenal@itco.msk.su; Phone: (095)924-5811 (Design and Featuring W.Chufarofsky)
Regular
Digital Empires Inc.
Digital Empires Inc.
Copyright Digital Empires Inc 1997. All right reserved
Iron Clad (TM) Botled Raised(c)1997, Digital Empires Inc. All rights reserved.Shareware versionIron Clad was inspired from a certain piece of literature. Iron Clad (TM) will be available on most platforms and there will be multiple version.Iron Clad (TM) is shareware. If you like, keep it,and use this font, please check out our web page atWWW.DigitalEmpires.com for pricing (the font willprobably never be more than 10).Feel free to share this font with others,but please include this documentation.Thanks,Steveemail: Webmaster@DigitalEmpires.com
Regular
Ray Larabie
ParaAminobenzoic is a trademark of Ray Larabie.
(c) 1997 Ray Larabie. See attached license agreement for more information. If EULA is missing, visit www.larabiefonts.com for an updated version of this font.
To see more fonts by Ray Larabie, visit Typodermic.com and LarabieFonts.com
Regular
Canada Type
Cotillion and Cotillion Pro are trade marks of Canada Type.
Copyright 2012 Canada Type. Designed by Jim Rimmer. All rights reserved.
Copyright 2012 Canada Type. Designed by Jim Rimmer. All rights reserved. Cotillion and Cotillion Pro are trade marks of Canada Type.
Regular
Linotype GmbH
Glypha is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.
Part of the digitally encoded machine readable outline data for producing the Typefaces provided is copyrighted 2008 Linotype GmbH, www.linotype.com. All rights reserved. This software is the property of Linotype GmbH, and may not be reproduced, used, displayed, modified, disclosed or transferred without the express written approval of Linotype GmbH. The digitally encoded machine readable software for producing the Typefaces licensed to you is copyrighted (c) 1990, 1992 Adobe Systems. All Rights Reserved. This software is the property of Adobe Systems Incorporated and its licensors, and may not be reproduced, used, displayed, modified, disclosed or transferred without the express written approval of Adobe. Glypha is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH. This typeface is original artwork of Adrian Frutiger. The design may be protected in certain jurisdictions.
NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418
Regular
Linotype Library GmbH
LinoLetter is a trademark of Heidelberger Druckmaschinen AG which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG.
Copyright (c) 1988, 1991, 2003 Linotype Library GmbH, www.linotype.com. All rights reserved. This software may not be reproduced, used, displayed, modified, disclosed or transferred without the express written approval of Linotype Library GmbH. LinoLetter is a trademark of Heidelberger Druckmaschinen AG which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG. This typeface is original artwork of Linotype Design Studio. The design may be protected in certain jurisdictions. Copyright (c) Adobe Systems Incorporated. All rights reserved.
Copyright (c) 1988, 1991, 2003 Linotype Library GmbH, www.linotype.com. All rights reserved. This software may not be reproduced, used, displayed, modified, disclosed or transferred without the express written approval of Linotype Library GmbH. LinoLetter is a trademark of Heidelberger Druckmaschinen AG which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG. This typeface is original artwork of Linotype Design Studio. The design may be protected in certain jurisdictions. Copyright (c) Adobe Systems Incorporated. All rights reserved.
NOTIFICATION OF LICENSE AGREEMENTThis typeface is the property of Heidelberger Druckmaschinen AG and its use by you is covered under the terms of a license agreement respectively font software license agreement. We are fully authorized and empowered to use and commercially exploit these intellectual property rights in their business of licensing, manufacturing and selling typefaces.You have obtained this typeface software either directly from Linotype Library GmbH or together with software distributed by one of Linotype Library's licensees.This software is a valuable asset of the Linotype Library GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation(s) for your own publishing use. You may not copy or distribute this software.If you have any question concerning your rights you should review the license agreement you received with the software or contact Linotype Library GmbH for a copy of the license agreement.Linotype Library can be contacted at:Tel.: +49(6172) 484-401 or http://www.linotype.com
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Regular
Mns Grebck
Jacked Eleven is a trademark of Mns Grebck.
Copyright (c) 2011 by Mns Grebck. All rights reserved.
Copyright (c) 2011 by Mns Grebck. All rights reserved.
Personal use only! Mail mawns@live.se for commercial license.
Regular
Suomi Type Foundry, Suomi Finland
Taffee-Thin is a trademark of Suomi Type Foundry, Suomi Finland.
Copyright (c) 2009 by Suomi Type Foundry, Suomi Finland. All rights reserved.
Copyright (c) 2009 by Suomi Type Foundry, Suomi Finland. All rights reserved.
Regular
Xerographer Fonts
Typeface (your company). 2013. All Rights Reserved
This font was created using FontCreator 6.0 from High-Logic.com
Black Italic
Omnibus-Type
Chivo is a trademark of Omnibus-Type.
Copyright (c) 2011 by Omnibus-Type (www.omnibus-type.com), with Reserved Font Name Chivo.
Chivo (Goat) is a new Omnibus-Type grotesque. The strength of Chivo Black Italic make it ideal for highlights and headlines. Chivo Black Italic elegancemakes it ideal forcombining the strength ofChivo familyand to use in texts for continuous reading.Itsdesigndetail becomesan indispensable ally for any designer.
This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is available with a FAQ at: http://scripts.sil.org/OFL
Look at the best sellers on the big font shops and you’ll see the same names sitting proudly in top spot. Proxima Nova, DIN, Futura and Brandon Grotesque in particular are extremely sought after typefaces that are commonly used in web design, branding and print. It can be pretty expensive to acquire these fonts, which means it’s often beyond the budget of most designers. Thankfully there’s some free typefaces we can rely on that actually match up fairly well. In today’s post I round up 10 of the most popular fonts and give my recommendations of the closest alternatives that can be used with Google Fonts or downloaded for free.
Since its release just 10 years ago Proxima Nova has pushed aside all the classics and claimed top spot in the best sellers lists. For those of use who aren’t lucky enough to have Proxima Nova (or the similarly cool Gotham font), Monterserrat is a beatiful pseudo geometric typeface with very similar characteristics. These fonts look great in uppercase with wide tracking.
Futura is everyone’s favourite geometric typeface with those iconic sharp corners. If you’re in need of a free alternative, look no further than Josefin Sans. Also being a pure geometric font means the letters that are made from basic shapes are almost identical, but Josefin does have some unusual characters that break the match. Thankfully most of those characters are lowercase and this style of typeface always looks much nicer in all caps!
Roboto is the best contender to the ever so popular FF DIN. Not only does Roboto match up characters like the uppercase ‘R’, lowercase ‘j’ and straight tail on the letter ‘y’, it also comes in a range of styles which means you can use this font as an alternative to all the variants of FF DIN from light to black.
FF Tisa is a popular font with some lovely curved slab serifs which I thought would make it impossible to match with a free font, until I stumbled across Bitter. It ticks all the boxes with it having the same slab-serif style, the double-story ‘g’ and it even mimicks the letter ‘k’ almost exactly.
It can be difficult to match the double or single story letters ‘a’ and ‘g’ in a font. Some typefaces use one of each, and even if you find a font with the same style, there’s no guarantee that the bowl of the letter ‘a’ or the ear on the ‘g’ will be the same. However, Merriweather Sans perfectly matches the humanist style of FF Meta with the subtle contrast in its strokes, as well as similarly shaped bowls.
The classic Baskerville is one of the most popular serif typefaces with many spin offs. One free font that is based on Baskerville, as its name suggests, is Libre Baskerville. The normal weight is much thicker than the official Baskerville font, due to the reduction in contrast of Libre Baskerville to make it easier to read on screen. The normal weight does make a good match for the bold variants of the original Baskerville though.
Clarendon comes in a variety of weights, but it’s commonly seen in its Black form to give it a solid presence. The free font Ultra is slightly more overweight as standard, but it makes a good alternative if you need to capture that stylised slab-serif look.
While Clarendon is often seen in Black, Helvetica Neue is almost always seen in its Light or Ultra Light weights. As one of the most iconic fonts of all time imposters can easily be spotted, but Work Sans is a good free alternative that has a similar skinny appearance. There are some major character mismatches, but they actually allow Work Sans to be itself rather than a poser.
I picked Bodoni Poster for this comparison, but Abril Fatface can be a good free alternative for most modern style didone typefaces, the likes of which are often seen in the mastheads of fashion magazines. I actually prefer Abril Fatface over Bodoni Poster in this example, especially those curvy terminals and that cool ligature of the letters ‘f’ and ‘i’.
Frutiger is a reserved sans-serif with neat letterforms that works as both large scale signage and body copy. The free font Hind is the perfect alternative that matches each character perfectly with the exception of a slightly taller x-height. Unless these two fonts were placed side by side it would be difficult to tell them apart.
The final comparison I have to present isn’t a great match, but free alternatives of the popular Brandon Grotesque font are highly sought after so I thought I’d try and find a worthy option. The rounded corners of Brandon Grotesque are what makes it so unique, but the free font Lato also features some subtle rounding. In its lowercase form these fonts look nothing alike, but with some modification in Adobe Illustrator to round off the rest of the corners, Lato could prove to be a worthy replacement to the all caps style of Brandon Grotesque.